Singing Siram Ditaan: Composition, Performance and Transmission of Epic Tales of Derato in Brunei Dusun Society

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By Pudarno Binchin

Paperback

ISBN 1-929900-17-1

2014

Discounted shipping rates for large orders are possible if an order is placed via email at brc@borneoresearchcouncil.org.

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By Pudarno Binchin

Paperback

ISBN 1-929900-17-1

2014

Discounted shipping rates for large orders are possible if an order is placed via email at brc@borneoresearchcouncil.org.

By Pudarno Binchin

Paperback

ISBN 1-929900-17-1

2014

Discounted shipping rates for large orders are possible if an order is placed via email at brc@borneoresearchcouncil.org.

Table of Contents

  • Foreword

  • Acknowledgments

  • Table of Contents

  • List of Diagrams

  • List of Maps

  • List of Tables

  • List of Photographs

  • List of Abbreviations

  • Preface

  • Preamble

  • Research Setting

  • Written Materials on Siram

  • On Verbal Arts and Oral Performance

  • Challenges in Handling Brunei Oral Materials

PART ONE: SIRAM DITAAN AND DUSUN ETHNOGRAPHY

Chapter 1 Dusun Oral Traditions: Repertoire of oral genres and siram ditaan

Chapter 2 Dusun Ethnicity, Social Organization and Rice Cultivation: From cultural practices to epic tales

Chapter 3 Myths of Origin of Rice and Temarok Beliefs: Backdrop to epic tales of derato

Chapter 4 Basa Balian, the Derato Language

PART TWO: SOCIAL CONTEXT, SIRAM PERFORMANCE AND TRANSMISSION

Chapter 5 Social Context of Siram Performance

Chapter 6

  • Siram Performance, Buwa Siram and Audience

  • The Siram Rhythm and Melody

  • Buwa Siram—Lyrical Phrases in Siram Ditaan Narratives

  • Personalizing the Buwa Siram

  • Siram Ditaan as “Word Music”

  • Siram Ditaan Audience

Chapter 7

  • General Form of Siram Ditaan Narratives

  • Siram-singing Structure

  • Opening formula

  • Utilization of Formulae in Siram Ditaan Narratives

  • Closing formula

Chapter 8

  • Siram Performers

  • The Singers

  • Recruitment, Training, Mentorship and Family Relations

  • Social Roles, Obligations and Rewards

PART THREE: SIGNIFICANCE AND MEANINGS

Chapter 9

  • The Significance of Story-telling in Kampong Ukong

  • Siram Ditaan as Social Entertainment

  • Siram Ditaan as Moral Teaching and Philosophical Reflection

  • Siram Ditaan as Collective Memory: Tradition and (Dis)continuity

Chapter 10 Conclusion

  • Siram Ditaan Today: A Reflection

References

LIST OF DIAGRAMS

Diagram 1: Categories of Dusun oral literature

Diagram 2: Architectural drawings of a typical Dusun alai gayo

Diagram 3: Dusun sub-division of cosmological spaces

Diagram 4: Kinship relations of siram singers from KampongUkong, Kampong Sungai Damit Pemadang, Kampong Rambai and Kampong Benutan

LIST OF MAPS

Map 1: Distribution of Dusun settlements in Brunei Darussalam

Map 2: Location of hamlets in Kampong Ukong

LIST OF TABLES

Table 1: Dusun place-names of traditional hamlets/alai gayo

Table 2: List of words from basa balian-derato, basa kadayan, modern Dusun, Malay and English

Table 3: Siram singer/balian’s multiple roles in Dusun society

LIST OF PHOTOGRAPHS

Photo 1: Yaruh binti Guru singing a siram sindir to a group of elderly ladies; the lady in the middle is the target of sindir

Photo 2: Ruti binti Bandug with her collection of brass gongs

Photo 3: Alai gayo of Sungai Damit Pemadang (but demolished in 1988)

Photo 4: An existing alai gayo located in Kampong Sukang, Belait district

Photo 5: A performance of temarok berayo, a model of a mystical crocodile made of unhusked rice

Photo 6: Dangasih singing siram ditaan in 2011 with deteriorating memory of some of the siram narratives

Photo 7: A small dumbak drum (front and rear view)

Photo 8: Dangasih singing siram ditaan with a small dumbak drum in 2001