Singing Siram Ditaan: Composition, Performance and Transmission of Epic Tales of Derato in Brunei Dusun Society
By Pudarno Binchin
Paperback
ISBN 1-929900-17-1
2014
Discounted shipping rates for large orders are possible if an order is placed via email at brc@borneoresearchcouncil.org.
By Pudarno Binchin
Paperback
ISBN 1-929900-17-1
2014
Discounted shipping rates for large orders are possible if an order is placed via email at brc@borneoresearchcouncil.org.
By Pudarno Binchin
Paperback
ISBN 1-929900-17-1
2014
Discounted shipping rates for large orders are possible if an order is placed via email at brc@borneoresearchcouncil.org.
Table of Contents
Foreword
Acknowledgments
Table of Contents
List of Diagrams
List of Maps
List of Tables
List of Photographs
List of Abbreviations
Preface
Preamble
Research Setting
Written Materials on Siram
On Verbal Arts and Oral Performance
Challenges in Handling Brunei Oral Materials
PART ONE: SIRAM DITAAN AND DUSUN ETHNOGRAPHY
Chapter 1 Dusun Oral Traditions: Repertoire of oral genres and siram ditaan
Chapter 2 Dusun Ethnicity, Social Organization and Rice Cultivation: From cultural practices to epic tales
Chapter 3 Myths of Origin of Rice and Temarok Beliefs: Backdrop to epic tales of derato
Chapter 4 Basa Balian, the Derato Language
PART TWO: SOCIAL CONTEXT, SIRAM PERFORMANCE AND TRANSMISSION
Chapter 5 Social Context of Siram Performance
Chapter 6
Siram Performance, Buwa Siram and Audience
The Siram Rhythm and Melody
Buwa Siram—Lyrical Phrases in Siram Ditaan Narratives
Personalizing the Buwa Siram
Siram Ditaan as “Word Music”
Siram Ditaan Audience
Chapter 7
General Form of Siram Ditaan Narratives
Siram-singing Structure
Opening formula
Utilization of Formulae in Siram Ditaan Narratives
Closing formula
Chapter 8
Siram Performers
The Singers
Recruitment, Training, Mentorship and Family Relations
Social Roles, Obligations and Rewards
PART THREE: SIGNIFICANCE AND MEANINGS
Chapter 9
The Significance of Story-telling in Kampong Ukong
Siram Ditaan as Social Entertainment
Siram Ditaan as Moral Teaching and Philosophical Reflection
Siram Ditaan as Collective Memory: Tradition and (Dis)continuity
Chapter 10 Conclusion
Siram Ditaan Today: A Reflection
References
LIST OF DIAGRAMS
Diagram 1: Categories of Dusun oral literature
Diagram 2: Architectural drawings of a typical Dusun alai gayo
Diagram 3: Dusun sub-division of cosmological spaces
Diagram 4: Kinship relations of siram singers from KampongUkong, Kampong Sungai Damit Pemadang, Kampong Rambai and Kampong Benutan
LIST OF MAPS
Map 1: Distribution of Dusun settlements in Brunei Darussalam
Map 2: Location of hamlets in Kampong Ukong
LIST OF TABLES
Table 1: Dusun place-names of traditional hamlets/alai gayo
Table 2: List of words from basa balian-derato, basa kadayan, modern Dusun, Malay and English
Table 3: Siram singer/balian’s multiple roles in Dusun society
LIST OF PHOTOGRAPHS
Photo 1: Yaruh binti Guru singing a siram sindir to a group of elderly ladies; the lady in the middle is the target of sindir
Photo 2: Ruti binti Bandug with her collection of brass gongs
Photo 3: Alai gayo of Sungai Damit Pemadang (but demolished in 1988)
Photo 4: An existing alai gayo located in Kampong Sukang, Belait district
Photo 5: A performance of temarok berayo, a model of a mystical crocodile made of unhusked rice
Photo 6: Dangasih singing siram ditaan in 2011 with deteriorating memory of some of the siram narratives
Photo 7: A small dumbak drum (front and rear view)
Photo 8: Dangasih singing siram ditaan with a small dumbak drum in 2001